Sandro Botticelli
Sandro Botticelli's Oil Paintings
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c. 1445 – May 17, 1510. Italian painter.

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Giovanni Benedetto Castiglione
Noah's Sacrifice after the Deluge

ID: 80553

Giovanni Benedetto Castiglione Noah's Sacrifice after the Deluge
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Giovanni Benedetto Castiglione Noah's Sacrifice after the Deluge


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Giovanni Benedetto Castiglione

was an Italian Baroque artist, painter, printmaker and draftsman, of the Genoese school. He is best known now for his elaborate engravings, and as the inventor of the printmaking technique of monotyping. He was known as Il Grechetto in Italy and in France as Le Benedette.   Related Paintings of Giovanni Benedetto Castiglione :. | Bacchante et Satyre | In Front of Noahs Ark | Noahs Sacrifice after the Deluge | Noah's Sacrifice after the Deluge | Fable of Diogenes |
Related Artists:
carl gustaf hellqvist

Adriaen Frans Boudewijns
Adriaan Frans Boudewyns, not Anton Frans (Bauduins, or Baudouin), (3 October 1644 - 3 December 1719) was a Flemish Baroque landscape painter. He was born at Brussels and learned to paint under a landscape painter named Ignatius van der Stock, and was received into the Guild there in 1665. He then travelled to Paris in 1666 and studied under A. F. van der Meulen for three years, and whose daughter Barbara he married 12 January 1670. In 1674 his wife died and in 1681 he moved back to Brussels where he married again. According to Houbraken he was a good landscape painter who encourage Gerard Hoet to stay in Brussels for 8 months in the 1680s. His son Frans Boudewijns (1682-1767) also became a successful painter. He was ruined in the bombardment of Brussels in 1695. Adriaen Fransz. Boudewijns, Adriaen Frans Boudewyns, Adriaen Frans Baudewijns, Adriaen Frans Baudewyns, Anton Frans Baudouin, Adriaen Frans Bauduins, Adrien François Bauduins, Monogrammist AFB
Arellano, Juan de
Spanish Baroque Era Painter, 1614-1676 Spanish painter. He was the pre-eminent painter of flower-pieces in 17th-century Spain. Although Spaniards of the previous generation had painted such works, it was the inspiration of Flemish and Italian examples in Madrid that from c. 1650 encouraged Arellano's success as a specialist in this genre. According to Palomino, who moved to the Court shortly after the artist's death and befriended many painters who had known him, Arellano began to paint flowers only in his thirties after a beginning that showed little promise.






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